I took these photos one afternoon as the sun glimpsed through an open door. The refractions and shadows drifted slowly across the wall for a few fleeting minutes before disappearing. I love capturing these transient moments.
Here is the fourth installment of my translucent study. Combined with my previous set, these are some of my favorite images. I think the soft and layered light is really beautiful and renders great colors. The fallen leaves show the lack of luminescence with a diminishing life force and show a great contrast in color and dimension to the other leaves:
If you like any of these images, please feel free to click the Facebook button below and share it with your friends! I do enjoy getting feedback on my work no matter your level of expertise in photography as I don’t think you need an MFA or a 30 years career to enjoy great art!
LIGHT BEAMS © 2012 NATE METZ
Shot in the afternoon sun, shadows of beams and rays of light onto a brick wall.
This third installment contains more foliage, but much less translucent. I maintained a lightness about the leaves without strong backlighting from the sun or my high intensity flashlight. You can also see I clearly took advantage of the beautiful changes in the trees this time of year. Autumn is by far my favorite season to photograph trees because of the subtle changes from day to day in each leaf. It is constant new material for inspiration. I can always capture a new frame on the same tree as long as the weather patterns hold.
After reading Pam’s guest blog, a lot of emotions got stirred up around trees. My life is going through a series of rapid changes, and as I cope and adjust as best I can, I visualize myself as a tree firmly grounded yet bending with the wind and change of seasons. So, I’d like to open up more about why trees appear so often in my work and provide a wider context to my work. My intuition is pushing me to include this information as part of my evolution as an artist.
Journey of the Fall © 2012 NATE METZ
So what lessons have I learned from trees about my artwork?
- I can’t do it all. I can’t do it all alone. I can’t do it all right now. But, start somewhere. Start now.
- Practice gratitude daily.
- Make a plan. Set goals. Write action steps. Reach for my dreams.
- Connect to other people. Find the common ground between us.
- Recognize my accomplishments. Honor and reward myself.
- Ask for help when I need it.
- Enjoy the process. Enjoy the journey.
Thank you for sharing in my journey. I’ll have the next set of my translucence work up soon!
The lovely tree, glorious and humble all at once.
For millions of years, the tree has been the most relevant plant on our planet. Whole species have evolved and survived among the protective embrace of its branches, peoples have worshipped it, and societies have thrived on its gifts of food and shelter. However, in the last 200 years just in the United States, our society has launched an all out war on one of the very elements of our own survival. Systematically destroying millions of acres of forest and cover for industry and development, we have disconnected from an anchor in our own evolution.
In my introverted childhood, I would seek out the comfort of trees to calm my mind, to escape from a turbulent household, and to claim great unknown adventures. The quiet friendship offered to me by trees has shaped me as a person and as an artist.
Some of my most cherished memories include deeply inhaling the thick smell of pine during a summer day at Cape Henlopen, witches noses and monkey balls, fresh apples, the mane of the willow my husband and I were married under, climbing under the branches of a Magnolia tree in Georgia so old my mother and I were able to stand underneath it, Dr. Seuss’s “The Lorax”, falling out of a treehouse my brother and I built, climbing to the very VERY top of the same tree within a few weeks and hiding from the taunts of a neighborhood boy, so many more that it breaks my heart to think that not everyone knows the same kind of love I have for trees.
“The Tree 1″ was an attempt at honoring the very living thing that breaths with us. Every branch was painstakingly rendered, line by line, in several colors to reach the reddish brown of its bark and each cluster of leaves burnished and layered many times. It is by far my favorite piece, and has become a signature image for me.
As I finished the drawing, the weeping cherry trees along my road began to blossom. It was intoxicating, and the flowers were of such an exquisite beauty, I nearly wept. I took hundreds of reference photos, but they barely captured the delicate and ancient glory of thousands upon thousands of flowers suspended overhead against the clear blue sky.
The process of drawing this will be long and difficult, with each mark on paper a step back into the moments that served to form me as an artist. I hope with every day that conservation is not left just to the people like myself, but to everyone, because everyone benefits, everyone and everything’s survival depends on the survival of the trees.
“Completely self taught, I have only taken a high school art class. Through many years of reading, experimenting, and practicing, I have taken the humble graphite pencil, charcoal stick and colored pencil, as well as other mediums, and learned to create beautiful portraits and illustrative drawings. What I enjoy most is how often the personality of the subject can be read through a portrait. A certain smile or glance, how one sits or holds their head, among other things, are all subtle ways the subjects individuality comes through.”
To learn more about Pamela:
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Living so close to the ocean, I often end up on the beach unexpectedly. I posted about it about a month ago. This time I was on a different beach as you can tell by the topography and type of sand. I wasn’t able to capture the true impact of the storm that was blowing in without my gear (again), so I focused in on the beach:
Stormy Sands © 2012 NATE METZ