I put off editing these photographs for several months because I wasn’t sure what direction to go in the post processing. I prefer to do very minimal cropping and lighting adjustments with some sharpening in the export. But, these flowers just didn’t have the right impact following my usual PP flow. I like the gloomy lighting of such a vibrant white flower, but out of the camera it lacked some shine. In Photoshop I was able to rescue these images with a black and white conversion. Instead of forcing a color image, I decided to follow the image and go monochromatic and BLOOM!
I don’t often post archive photos, but I thought it would be nice to share some of my favorite images of the holidays.
I am proud to say that of the 4 photos I submitted to the fall art show, one was indeed selected and hanging at the CAMP Rehoboth Community Center! CAMP is in downtown Rehoboth on Baltimore Ave and now that the parking meters are down it is the perfect time to check out the beachside town. You may remember this photograph from the Summer Streets exhibit in Newark this past summer. I chose this photograph because it was a favorite.
Sun-Puddled Pavement © 2012 NATE METZ $150.00
Check out all the pictures here.
The Gallery is located in the downstairs of the building in the lobby area:
37 Baltimore Avenue
Rehoboth Beach, DE 19971
I look forward to seeing you at the CAMP Art Show!
These photographs were all the “rejects” that I did not select for entry in the challenge. I opted for this image of a mushroom because I believe it is much more impactful for the theme of OPPOSITES.
MUSHROOM © 2013 NATE METZ
rank = 16th
1/125 sec, f8, ISO 200
I opted for a simple set of opposites shared in a single subject where the frame would highlight the differences. The closeness and color conversion really emphasize the theme. I received some great feedback on how the frame seems top heavy and that the top portion out of focus might have looked better as the smaller 1/3 of the frame. However, I like it as is because in the competition for your eye, it really pushes the oppositional tension between the top of the mushroom and the underside.
Bored one afternoon this spring, I pulled out my 55-200mm f/4-5.6G ED IF AF-S DX VR that I haven’t used since I first bought it 5+ (?!) years ago to test it out. I thought, erroneously, that it would only be good when out scouting birds or taking tourist type shots that I could zoom up onto monuments and so forth. And that is precisely why I hadn’t been using it, focusing instead on my prime lens to capture a nice bokeh and shallow DOF for my translucent light studies. I have had a lot of micromovements in some of my throwaways, so I decided to play with the VR by standing 7-10 feet away. These are the shots I came up with:
I was perusing some older images in my pictures folder with a friend this week and talking about my photography style. We agreed it was different and not necessarily the sort of images that people gravitate towards. She said it was great that I was able to see the unseen. I love to shoot the things that most of us just walk by without a second thought because those moments of light are beautiful. Much of my shooting is haphazardly unplanned: I go out with my camera and explore to find moments of beauty. These images of the lines on the wall are the perfect example. The sunlight streamed in through the shutters at this angle for but a moment before sliding onto the floor in a blurred distortion. I like the layers of different lines on top of each other.
I find our world to be amazing and interesting. I walk about with a sense of wonder all the time. And those who walk with me often see me crouching, squatting, and otherwise contorting with a camera in my hand because I saw something that caught my eye. It is a constant visual unrest, but a gift nonetheless.
Crystal Vision © 2013 NATE METZ
Winter has finally relaxed its tight grip. Most mornings I’d find my car frozen over with frost, so I used the few moments waiting for the defroster to capture these Crystal Visions.
A month ago I toured the Biltmore Estate in Asheville, NC. I brought my full kit (4 lenses, camera, and external flash) so that I could get some pictures, but was surprised upon walking in the front door that all photography was prohibited inside the main house, including cell phone cameras! I claim no expertise on historical preservation, but I’m pretty sure flash-less photography does not harm the subject in any way. My guess is that the Estate wants the tourists to purchase the official and professional photographs from the gift shops. While I may have taken a few of those style to document the trip, I’m more interested in colors, shapes, and textures and other more abstract pictures. I clearly disagree with the ban because I feel as though they misunderstood the type of photography that I wanted to do! So, I had to rebel just a little bit. I took this photograph in the basement with my cell phone:
I’s © 2013 NATE METZ
By the time the house tour was over, I caught a break in the rain and decided to check out the conservatory. I have been to Longwood Gardens several times and really enjoy taking pictures of the flora because of the soft lighting and near-perfect subjects. The conservatory at Biltmore is much smaller and had much less variety, I was able to take several interesting photographs. These all remain untitled for now. As I select a few favorites for prints, frames, entries, and so forth cleaner edits and titles will emerge! For now, enjoy an early look of spring:
LIGHT BEAMS © 2012 NATE METZ
Shot in the afternoon sun, shadows of beams and rays of light onto a brick wall.
This fall I have been exploring the idea of translucency. I am interested in the BIG IDEA of a subject allowing partial light to shine through it. A translucent subject has two levels of meaning for me. The first is the artistic quality of allowing light to pass through a subject with an illuminating effect, somewhere between opaque and transparent. The second is more esoteric and spiritually natured. We often speak of the soul as light, letting our light shine, beaming with joy, and so forth. A translucent being, then, is spiritually evolved, allowing the “insides” to show through to the surface. The en-light-ened spirit permeates its entire being.
I’ve been study translucent light for the past month now, and want to share some of my progress. I knew that I needed to find subjects in nature that were translucent to capture both levels of meaning for me, so I chose to focus on leaves and petals first. I believe that nature is naturally radiant and through awareness we can see the light inside any part of nature.
Here is my first set: