MEMES

I’ve tried my hand recently are creating internet memes. I often post images on Facebook with inspirational thoughts. So, I thought why not put the text on the images and share it about!

As I see it…

Lines on the wall © 2012 NATE METZ

Lines on the wall © 2012 NATE METZ

Lines on the wall © 2012 NATE METZ

I was perusing some older images in my pictures folder with a friend this week and talking about my photography style. We agreed it was different and not necessarily the sort of images that people gravitate towards. She said it was great that I was able to see the unseen. I love to shoot the things that most of us just walk by without a second thought because those moments of light are beautiful. Much of my shooting is haphazardly unplanned: I go out with my camera and explore to find moments of beauty. These images of the lines on the wall are the perfect example. The sunlight streamed in through the shutters at this angle for but a moment before sliding onto the floor in a blurred distortion. I like the layers of different lines on top of each other.

I find our world to be amazing and interesting. I walk about with a sense of wonder all the time. And those who walk with me often see me crouching, squatting, and otherwise contorting with a camera in my hand because I saw something that caught my eye. It is a constant visual unrest, but a gift nonetheless.

Don’t forget, I have a collection of moments of beauty in my exhibit this June: SUMMER STREETS!

Crystal Vision


Crystal Vision © 2013 NATE METZ

Winter has finally relaxed its tight grip. Most mornings I’d find my car frozen over with frost, so I used the few moments waiting for the defroster to capture these Crystal Visions.

Pomegranate Afternoon

I took these photos one afternoon as the sun glimpsed through an open door. The refractions and shadows drifted slowly across the wall for a few fleeting minutes before disappearing. I love capturing these transient moments.

Pomegranate Afternoon © 2012 NATE METZ

DAMN GOOD ADVICE – TEN

It’s not very often that text, copy, or any sort of word makes a statement in my photography. Alphanumerics tend to be incidentals.

Behind the work is a different story, though. My favorite brainstorming is mind-mapping: connecting words and phrases in a correlative spiderweb of an idea. Most recently, my idea is translucency. While looking at my photographs in that body of work, the word comes to mind in a subtle way. This use of words is different that the advertising described by George Lois.

The idea that really stands out to me in reflecting on Lois’ first commandment in relation to my own work is the interplay between words and images as a form of communication. Even if my photographs do not include words, when we view them we think in words. There is a translation that occurs when viewing art. Because to say, write, or otherwise express our reaction and feelings about one of my photographs we use words. Furthermore, anytime I submit a body of work I am asked to include an artist statement: words that describe the visual image. At first, I dread writing down the words that would appear to seal the fate of the associated photographs. As I work through my writing process, I try very hard to maintain a sense of open-endedness. My interpretation in the artist statement is never designed to me the final comment.

So yes, the word does indeed come first.

WORD © 2013 NATE METZ
WORD © 2013 NATE METZ